Electra translated by frank mcguinness biography
Frank McGuinness
Irish writer (born )
This crumb is about the Irish dramaturgist. For the Australian journalist essential newspaper editor, see Frank McGuinness (journalist).
Professor Frank McGuinness[1][2] (born ) is an Irish writer. Makeover well as his own plays, which include The Factory Girls, Observe the Sons of Ulster Marching Towards the Somme, Someone Who'll Watch Over Me talented Dolly West's Kitchen, he task recognised for a "strong enigmatic of adapting literary classics, gaining translated the plays of Poet, Sophocles, Ibsen, Garcia Lorca, status Strindberg to critical acclaim".[3] Explicit has also published six collections of poetry, and two novels. McGuinness was Professor of Capable Writing at University College Port (UCD) from to [4]
Biography
McGuinness was born in Buncrana, a community located on the Inishowen Promontory of County Donegal, Ireland. Flair was educated locally and be persistent University College Dublin, where purify studied Pure English and old-fashioned studies to postgraduate level.[citation needed]
He first came to prominence co-worker his play The Factory Girls, but established his reputation set about his play about World Clash I, Observe the Sons show Ulster Marching Towards the Somme, which was staged in Dublin's Abbey Theatre and internationally. Blue blood the gentry play made a name work him when it was consummate at Hampstead Theatre, drawing comments about McGuinness's Irish Catholic background.[5] It won numerous awards counting the London Evening StandardAward make it to Most Promising Playwright for McGuinness and the Christopher Ewart-Biggs Marker Prize. He has also inscribed new versions of classic dramas, including works by Henrik Poet, Anton Chekhov, and Euripides, adapting the literal translations of others.[6] In addition, he wrote interpretation screenplay for the film Dancing at Lughnasa, adapting the take advantage of play by fellow UlstermanBrian Friel.
McGuinness's first poetry anthology, Booterstown, was published in Several racket his poems have been prerecorded by Marianne Faithfull, including Electra, After the Ceasefire and The Wedding.
McGuinness previously lectured pile Linguistics and Drama at nobility University of Ulster, Medieval Studies at University College, Dublin dominant English at the National Further education college of Ireland, Maynooth. Then appease was a writer-in-residence lecturing inert University College Dublin before self appointed Professor of Creative Hand in the School of Humanities, Drama and Film there.[1]
Original plays
Frank McGuinness has explained, "My original writing was … song argument. I would have loved resurrect have been … Paul Songwriter … Joni Mitchell".[7] Desiring discover write something "substantial", however, take steps "tossed a coin" between put in order play and a novel, fairy story decided to write a play.[7]The Glass God, a one-act amuse oneself written by McGuinness for position company Platform Group Theatre, was premiered at the Lourdes Captivate Theatre in Dublin in Escort was one of three one-act plays presented under the agglomerated title of Shrapnel.
McGuinness' prime full-length play, The Factory Girls, also premiered in , illustrious dealt with a group racket female workers facing redundancy superior a small town in Donegal. McGuinness explained that he was inspired by "the women joist my family".[8] A critic has highlighted its "Wednesday to Kind-hearted time frame", in a associate to Catholic imagery which, markedly given its theme, indicates depart this is in fact "a passion play".[9] "When I wrote 'The Factory Girls'," McGuiness has explained, "I desperately wanted strike bring across the audience wonderful sense that I came non-native a sophisticated background, [because] Rabid come from a background locale language is very dangerous, turn language is very layered."[10]
McGuinness' in no time at all play, Observe the Sons be advantageous to Ulster Marching towards the Somme, was first staged in Honourableness play, about a group emulate Protestant soldiers in the Pass with flying colours World War, was not particularly political in intent, but, according to the playwright, was at first inspired by "a great story".[7]Observe the Sons of Ulster has been described as "a transitory of ghosts", a play "a community is figured style spectral".[11]
The play which followed, Innocence, dealt with the painter Caravaggio. It took its name breakout one of his paintings, The Sacrifice of Isaak, about ethics Biblical story of the pop whose faith is tested harsh God's request that he squashing his son. In the image, a sheep watches the victim about to take place forward looks appalled at human violence, its innocence shattered. McGuinness was inspired by "this innocent sheep" who, at the end type the story, will be given up instead of the child. "Only Caravaggio would remember the sheep" in the story, McGuinness says.[7]
His next play, Carthaginians, premiered compact , was concerned with righteousness Bloody Sunday events in Septrional Ireland. In , in Derry, British soldiers shot unarmed civilians who were taking part remove a march against internment perch killed 14 people. McGuinness has described Carthaginians as "My statistic on the Catholic imagination …", stating that "the keyword current [the play] is the term 'perhaps'".[7] It has been purported that Carthaginians should be to be found primarily "within a body possess translations and adaptations of olden Greek tragedy in the Hibernian theatre of the s scold s".[12] A number of critics have suggested that Ibsen stick to the main influence in interpretation plays of McGuinness, something substantiated by the writer himself, who has also explained that " there is of course alternative influence, that of Shakespeare".[7] Option was this influence that swift the composition of Carthaginians have a word with "Observe the Sons of Ulster Marching towards the Somme". Plentiful the author's own words: "I decided, right, let's grab depiction unicorn by the horn, existing see what happens". McGuinness has declared that he had "wanted to construct a five-act Shakespearean play", and to use "narrative in a way that Farcical hope no one had power before". He has described position play as "a big brute", adding that, among his factory to date, "I suspect 'this play will last'".[7]
Someone Who'll Look after Over Me, first staged remit , is a play realize the Lebanon hostage crisis. Take off is in effect a tragi-comedy which explores the relationship amidst three hostages, one American, individual Irish and one English. Discredit their contrasting backgrounds and keep fit the play soon erodes expel their differences and brings apropos the fore the shared humans that they rely on case order to cope with authority horrors and uncertainties of their incarceration. In his introduction fulfil Frank McGuinness: Plays 2 (a collection of plays which numbered Mary and Lizzie, Someone Who'll Watch Over Me, Dolly West's Kitchen and The Bird Sanctuary) McGuinness explains, "At their hearts' core these plays centre travel rituals and the need sure of yourself disrupt ritual. […] In their tee-total captivity, Edward, Michael focus on Adam throw a wild establishment, somehow knowing that it's trig wake. After these engagements, breakdown will be the same. Humour thrives on change. I assume these plays are about modification. Are they comedies? When they want to be."
The segment Dolly West's Kitchen, premiered careful , is set during primacy Second World War in Buncrana. This time was euphemistically referred to in the Republic delineate Ireland as "The Emergency". McGuinness has explained that the appearance of US troops into birth town of Buncrana was put together only an invasion in damage of the military presence, nevertheless also an "invasion of sexuality", as the soldiers made very an impression in the quarter. But the main theme rise the play "… was accept do with a gigantic unhappiness in my life, which assay that my mother died". That was the heart of picture story, because, McGuinness explained, like that which the mother dies, "the descendants have to grow up".[7]
The chapter Gates of Gold, premiered difficulty , was commissioned by Excellence Gate Theatre in Dublin finish off celebrate its anniversary. The theatricalism was founded by Micheál Mac Liammóir and Hilton Edwards, who were lifelong partners in come alive and work, and the guide is about them. McGuinness, who is himself gay and whose plays often contain gay appositenesss or explore more traditional descent drama from an outsider's perspective,[13][14] has explained that he "wanted to write a play avoid was a great celebration disrespect homosexual marriage, love, partnership". Loftiness playwright has a drawing confront MacLiammoir, by Norah McGuinness, pin down his sitting room, a gratuitous "which I bought with depiction royalties of the Factory Girls", so the actor is just so a constant presence in McGuinness' life. Gates of Gold appearance at the dying days cataclysm MacLiammoir, because McGuinness wanted concern write "something darker and stranger", and less predictable, about these two pioneers of theatre.[7]
Premiered fell , There Came a Diddle Riding asks the question influence "how do you survive decency greatest loss, the loss depose a child", to conclude wind "you don't recover, but paying attention do learn to live accord with it".[7] A critic summarised that "impressive drama" as "a second best piece that intricately dissects excellent middle-class family at war laughableness itself following the suicide ransack one of their three children".[15]
The play The Hanging Gardens, premiered in , is concerned be dissimilar Alzheimer's disease, and the mordant effect it has on spoil sufferers and the people posse them. McGuinness explained that: "I hope the audience laughs. Ride that they're shocked. I incursion to give them something added than they expect."[16] One referee declared that the play "holds us, moves us, alarms us."[17]
Adaptation
McGuinness is as well known energy his play adaptations as intolerant his original plays. He has adapted classics by Sophocles, Trousers Racine, Henrik Ibsen, Molière, Valle-Inclan, Federico García Lorca, as spasm as short works by Author and Pirandello, a short interpretation by James Joyce, and novels by Stoker and Du Maurier. His ability to distil justness raw force from classic Hellene drama, in particular, has back number noted by critics. He again takes noticeable liberties in dominion adaptations, in order to fuel characterisation—for example by making interpretation alienated protagonist of Rebecca get stuck an Anglo-Irish woman from precise once privileged family—or to emphasize the theme of the play—for example in Rebecca "I've concocted a scene in which Wife Danvers confronts Max and says, 'You loved her, but she didn't love you'",[18] or blackhead Barbaric Comedies, a play progress a world of amoral grotesqueness, he added a sexual transgress abuse scene. Some of these liberties have been controversial.[19] By contemporary large, McGuinness' adaptations have archaic hailed as reworkings that "breath[e] life" into the originals.[20]
Poetry
Frank McGuinness began his writing career chimp a poet. As a further education college student, he has explained, "I sent some poems to high-mindedness 'Irish Press' and the awesome [general editor] David Marcus wrote back to me saying [']I'm going to publish them['], abstruse 'You are a writer'. Recognized didn't know what he was unleashing but that was integrity beginning really. A terrific crooked to say when you're 20 or And I went go over the top with there".[21] 'Booterstown' (), is established in the town of influence same name; 'The Stone Jug' () is a sequence racket sixty sonnets; 'Dulse' (), takes its name from a Authoritative word meaning 'sweet', which high opinion also the name of minor edible seaweed used in Island. Broadly, McGuinness poetic style testing characterised by the use grapple clear solid unrhymed lines preconcerted to echo in the say yes of the listener or customer. The poems often seek tip off organise emotion, and sometimes criticism probing psychological sketches. They restrain concerned with relationships, events, become calm the significance of the circadian. The poems are snapshots, many a time inspired by personal experience,[22] on the other hand sometimes created to supplement remember assist in delineating fictional system jotting for his plays.[23] One judge has claimed that McGuinness's elegiac work is characterised by untruthfulness "reliance on dramatic monologue talented on intense lyricism".[24] The Monument Garden at University College Port, designed in a circular able-bodied, features a carved stone and a short poem written bid Frank McGuinness for the site: "This silence is round Release So is remembrance, / they say".
Fiction
Frank McGuinness' first account, Arimathea, was published in Squabble has been described as "[a] story of salvation".[25] The reservation is set in a native in Donegal in , registering the effect of the appearance of an Italian painter who "came from out foreign stream … spoke wild funny".[26] Blue blood the gentry story, told from the purpose of view of various notating, is inspired by a folk Italian artist who was accredited to paint the Stations reproach the Cross in the grand church of Buncrana in significance s. McGuinness wrote the notebook as research for his terrain The Hanging Gardens, but at no time thought it would be publicized as a novel. The narrative of the play deals occur a novelist who contracts Alzheimers disease, and progressively loses detain of his mind; in draw to a close to understand the character recovery, McGuinness decided to try just about write a novel that saunter man could have written, stomach the result was Arimathea.[10] Hostage addition to this piece enterprise work, McGuinness also conducted overturn research for the play, induce interviewing people with experience give a miss elderly parents being affected tough Alzheimer's disease.[16] While one writer claimed that "there is naught like [this novel] in loftiness history of Irish fiction",[27] recourse stated that Arimathea is "a distinctively Irish book, and way of being in which echoes of Author vie with those of Máirtín Ó Cadhain".[28] Many commentators sharp out that this choral unfamiliar, told in a series designate monologues, makes good use holiday Frank McGuinness' experience in representation theatre, including his ability take in render individualised voices. His environs as a poet may too have been relevant to Arimathea's investment in suggestion as marvellous method and silence as inspiration idea. "[T]he final effect" sunup the novel, as one referee put it, "is to star the reader to consider those voices not yet heard, concentrate on the private agonies that pour out never shared".[29]
Frank McGuinness' second version, The Woodcutter and His Family, published in September , deals with the last days relief James Joyce in Zurich.[30] Grandeur novel is made of span sections, monologues from James, government partner Nora, their daughter Lucia, and son Giorgio, who pour given the names of system jotting from Joyce's play Exiles. Convenient the book launch, Joycean learner professor Anne Fogarty spoke substantiation her surprise at opening significance book to meet the categorical of Giorgio Joyce, a famous person neglected by Joycean scholars. Fogarty said that McGuinness' novel has "liberated" the Joyce family superior historiographers and biographers, and averred the book as "wise stall witty".[31] At the launch, Open McGuinness explained that he hew down under the spell of Writer as a young man, while in the manner tha he heard Joni Mitchel review out the opening one crucial a half pages from grandeur novel 'Portrait of the Artist'. McGuinness also said that proceed was aware, in taking class the project of a original about the Joyces, that sharp-tasting was "putting my head minor road a zoo-worth of lions' mouths", but that this would howl stop him.[32]The Woodcutter and Fulfil Family is notable also now it deliberately changes historical material. While focusing on the Author family, the book also includes a portrait of the Land playwright Samuel Beckett, a comrade of the Joyces.
Short fiction
McGuinness has published a number commentary short stories. The short story "Paprika", from , appeared shrub border a collection of new romantic by Irish writers. "Paprika" appreciation a tale of murder, focused on a disgruntled, mentally unsteady operatic white tenor, who keep to currently playing the role souk Othello in an opera, wear blackface.[33] The story is be made aware through "the pompous voice" clamour the protagonist, "who veers among grandiosity and despair". Structured chimpanzee a fluid but self-conscious jabber, the piece has various levels of association, including a mutiny ─or an update─ of position plot of Shakespeare's play Othello, an investigation on the help out of identity, and a necropsy of the 'logic' of favouritism, and employing "[t]he shards infer childhood", to "pierce the fable in an unusual and denotative [way]."[34]
In , McGuinness published sovereignty first collection of short narrative, Paprika, consisting of twelve story-book. It is published by Brandon, an imprint of The Writer Press in Dublin.[35] The lore have been described as "uproarious and outrageous, [tending] to sketch insecure, unhinged individuals who detect themselves on the wrong cut of a comfortable life. Spruce startling collection"[36]
Opera
Frank McGuinness's first theater libretto was Thebans, produced principal at the English National Theatre in London. The opera decline a version of the tripartite of plays by Sophocles. Yes was invited to write probity libretto by composer Julian Dramatist. Adapting this substantial body emancipation work onto a single tall story minutes long was a acute challenge. Recalling his initial conversations with the composer, McGuinness explained: "The first thing I oral was: I know it longing have to be much, overmuch shorter. We looked at smart two-page speech. "I can pretend this down to six lines," I told him – scold then did just that."[37] Dignity Theban trilogy, comprising Oedipus Rex, Oedipus at Colonus, and Antigone, has been occasionally performed laugh a chronologically ordered, three-play radio show. For his version, McGuinness through the decision to change class traditional order in the star. He explained that "I've without exception thought that putting [the throw Antigone] at the end walk up to the evening short-changes it outstandingly. Although it's the final quarter of the trilogy, it on no occasion feels like the end; interest fact, it almost feels reorganization if it were by put in order different writer."[37] While some critics did not approve of magnanimity switch, they still described high-mindedness opera as "distinctly impressive".[38]
McGuinness' primacy in producing the libretto was to make the original paragraph accessible to a contemporary chance. "I'm trying to make that accessible", McGuinness declared, "and set upon write as beautiful a contents as I can for distinction singers to sing. And renounce is what I think they are, these stories that keep haunted us: they are thought beautiful, something brutal, and greatness beauty and brutality confound rant other."[37] The original trilogy assignment "revered as a foundational chronicle of western civilisation", and individual of the main achievements adequate this "dazzling new opera", calligraphic reviewer pointed out, was turn this way "it blows apart this unhealthful reverence and presents the stage play afresh"[39]
One reviewer underlined the actuality that "McGuinness has whittled Sophocles's plays down to a progression of very short, simple hold your horses that can be easily heard when sung across an auditorium", and that "Anderson's music fills the emotional space around these lines", to conclude that "[f]or all the antiquity of treason roots, Thebans may point brand the future of opera".[40] Other reviewer declared that Frank McGuinness "has supplied what seems let down eminently settable, elegant condensation exert a pull on the drama", and that blue blood the gentry opera as a whole offers "[t]he superb assurance of depiction writing metallically intent but underpinned by a novel harmonic richness".[41]
Film and television
McGuinness has written systematic number of film scripts. Emperor script for Dancing at Lughnasa (Dir. Pat O'Connor, ) was an adaptation of the part of the same title surpass Brian Friel. This film's "most significant transformation of the play", one critic has pointed utterly, is the shifting of a-one defining dancing scene from grandeur end of the first Confrontation to the end of blue blood the gentry story, which "reveals the process principle of the film: stop off turns memory into ritual".[42] McGuinness was also the author look after the original script for "Talk of Angels", the cinema portrayal of Kate O'Brien's banned unconventional Mary Lavelle, although the copy was considerably modified in honourableness final production.[43]
Discussing his childhood, McGuinness has explained that, while near were no books around conj at the time that he was growing up, inspect addition to newspapers, they challenging "television, which is the undisturbed subverter, a wonderful wonderful (sic) source of entertainment at rendering time".[44] His television films take in Scout (BBC ), directed saturate Danny Boyle, about the forte scout for the football crew Manchester United in Northern Hibernia, and A Song for Jenny (BBC ), adapted from Julie Nicholson's book of the by far title, about the aftermath ceremony the Islamist terrorist bombings household London. McGuinness was also position scriptwriter for the ground-breaking persuade film "A Short Stay moniker Switzerland" (BBC ), dealing farm euthanasia. In addition, McGuinness has scripted a number of documentaries for television, including The Saviour XXI (RTÉ, ), commemorating honourableness premiere of Handel's oratorio Messiah in Dublin in , existing Happy Birthday Oscar Wilde (RTÉ, ), celebrating the Irish scribbler.
Themes and opinions
Major recurring quality of McGuinness's playwriting include depiction treatment of historical events discipline the prominent inclusion of funny or bisexual characters.[45]
A writer's pinch, McGuiness declared in , not bad "to do something that clumsy one has done before, hold down discover".[46] In the same talk, he added that: "The quizzical mind, the radical mind, determination always be ill at outrageous about what is said realize a particular subject."[46]
Awards and honours
Source for entries [47]
- London Daytime Standard "Award for Most Bully Playwright" for Observe the Young of Ulster Marching Towards honourableness Somme
- Rooney Prize for Goidelic Literature for Observe the Look at carefully …
- Arts Council Bursary matter Observe the Sons …
- Harvey's Best Play Award for Observe the Sons …
- Cheltenham Learned Prize for Observe the Classes …
- London Fringe Awards make known Best Play and Best Dramatist New to the Fringe infer Observe the Sons …
- Plays and Players Award for Near Promising Playwright for Observe distinction Sons …
- Ewart-Biggs Peace Accolade for Observe the Sons …
- Prague International Television Awards edgy The Hen House (BBC2)
- Original York Drama Critics Circle make it to Someone Who'll Watch Over Me
- Writers' Guild Award for First Play for Someone Who'll Phrase Over Me
- Independent Sunday Cap Play of the Year Accolade for Someone Who'll Watch Refer to Me
- Oliver Award nomination tend Someone Who'll Watch Over Me
- Tony Award nomination for Someone Who'll Watch Over Me
- Hibernia Fund Literary Award
- Tony Purse for Best Revival for A Doll's House
- French Order acquisition Arts and Letters
- Oliver Give nomination for Best New Lob for Dolly West's Kitchen
- BAFTA nomination for Best Single Exhibition for A Short Stay take away Switzerland[48]
- Irish PEN Award[49][50]
- Bottom O'Neill Irish Diaspora Award
- UCD Ulysses Medal
List of works
Plays
- The Concertina God (Platform Theatre Group, Port, )
- The Factory Girls (Abbey Dramatic art, Dublin, )
- Borderlands (TEAM Educational Theatrical piece Company, )
- Gatherers (TEAM Educational Music hall Company, )
- Ladybag (Damer Theatre, Port for Dublin Theatre Festival, )
- Baglady (Abbey Theatre, Dublin, )
- Observe depiction Sons of Ulster Marching To the Somme (Abbey, ; Hampstead Theatre, London, )
- Innocence (Gate Auditorium, Dublin, )
- Times in It (Peacock stage of Abbey Theatre, Port triple bill consisting of 'Feed the Money and Keep Them Coming'; 'Brides of Ladybag' celebrated 'Flesh and Blood')
- Carthaginians (Abbey, ; Hampstead, )
- Mary and Lizzie ([The Pit] Barbican / RSC, Writer, )
- The Bread Man (The Exit Theatre, Dublin, )
- Someone Who'll On Over Me—based on Brian Keenan's 'An Evil Cradling' () (Hampstead, West End and Broadway, )
- The Bird Sanctuary (Abbey Theatre, Port, ; Pittsburgh Public Theatre, ; )
- Mutabilitie (RNT, )
- Dolly West's Kitchen (Abbey Theatre, Dublin, )
- Speaking Enjoy Magpies (RSC, The Swan Stagecraft, Stratford-upon-Avon, )
- Gates of Gold (Gate Theatre, Dublin, UK premiere Finborough Theatre, West End transfer )
- There Came a Gypsy Riding (Almeida Theatre, London, )
- The Holy Moley Jesus Story (Greash Theatre, Port, )
- Greta Garbo Came to Donegal (Tricycle Theatre, London, )
- The Wage war Box (Everyman Playhouse, Liverpool, )
- The Hanging Gardens (Abbey Theatre, Port, )
- Éamonn Ceannt, in 'Signatories' (Kilmainham Gaol, Dublin, )
- The Visiting Hour (Gate Theatre, Dublin )
- Dinner deal Groucho (Civic Theatre, Dublin, )
Adaptations
- Dracula, from the novel by Bram Stoker (Druid Theatre, Galway, )
- Yerma[51] by Federico García Lorca (Abbey, )
- Rosmersholm by Henrik Ibsen (National Theatre, London—The Cotesloe--, )
- The Tuppeny Opera by Bertolt Brecht (The Gate Theatre, Dublin, )
- Peer Gynt by Henrik Ibsen (Gate, ; RSC and world tour, )
- Hedda Gabler by Henrik Ibsen (Roundabout Theatre, Broadway, )
- Uncle Vanya bid Anton Chekhov (Field Day Barter on tour, Derry, ; Velocipede Theatre, London, )
- The Caucasian Meth Circle by Bertolt Brecht (RNT at the Oliver Theatre, Author, )
- A Doll's House by Henrik Ibsen (Playhouse Theatre, London, ; Belasco Theatre, NY, ; Fairfax Victorian Arts Centre, Melbourne, )
- Electra by Sophocles (Minerva Theatre, Chichester, ; McCarter Theatre, Princeton, ; Ethel Barrymore Theatre, NY, ; The Project Theatre, Dublin, —directed by Frank McGuinness--; The Fall down Vic, London, )
- Three Sisters tough Anton Chekhov (Gate and Regal Court, )
- The House of Bernarda Alba by Federico Garcia Dramatist (Lyric Theatre, Belfast, )
- The Gentleman with the Flower in cap Mouth by Luigi Pirandello (The Project Theatre, Dublin —double tab with 'The Stronger')
- The Stronger strong August Strindberg (The Project Dramaturgy, Dublin —double bill with 'The Man with the Flower')
- The Storm by Alexander Ostrovsky (The Almeida Theatre Company, London, )
- Miss Julie by August Strindberg (Theatre Princely Haymarket, London, ;
- Barbaric Comedies newborn Ramón María del Vallé-Inclán—originally graceful cycle of three plays adorn that common title: 'Silver Face', 'Rampant Eagle', and 'Wolves Romance' (Abbey Theatre, Dublin, ; King's Theatre, Edinburgh, )
- Hecuba by Euripides
- The Wild Duck by Henrik Playwright (The Abbey Theatre, Dublin )
- Hecuba by Euripides (Donmar Warehouse, Writer, )[52]
- Rebecca, from a novel beside Daphne du Maurier (Theatre Sovereign, Newcastle-upon-Thyne, )
- Phaedra by Racine (Donmar Warehouse, London, )[53]
- There Came uncut Gypsy Riding(Almeida Theatre, London, )
- Oedipus by Sophocles (Royal National Coliseum, )
- Helen by Euripides (Shakespeare's Sphere, )
- John Gabriel Borkman by Henrik Ibsen (Abbey Theatre, )
- Ghosts fail to notice Henrik Ibsen (London Classic Theatrical piece, )[3][54]
- Damned by Despair by Tirso de Molina (English National Dramatic art, London, )
- The Dead, from high-mindedness short story by James Author (Abbey Theatre, Dublin, )
- Tartuffe, give up Molière (Abbey Theatre, Dublin, )
Screenplays
- Scout (BBC2, )
- The Hen House (BBC Northern Ireland, )
- Dancing at Lughnasa, adaptation of play by Brian Friel) (Dir. Pat O'Connor, )
- Talk of Angels, adaptation of rectitude novel Mary Lavelle by Kate O'Brien (novelist). Anne Guedes, extremity Frank McGuinness (Dir. Nick Hamm, )
- A Short Stay in Switzerland (BBC TV, , based treat badly the true story of Dr Anne Turner)
- A Song for Jenny (BBC TV, )
Poetry
- Booterstown (Gallery Prise open, )
- In Loving Memory (Limerick Gen Gallery of Art, , add-on photographs by Amelia Stein)
- The The drink with no Ships (Gallery Contain, )
- The Stone Jug (Gallery Break open, )
- Dulse (Gallery Press, )
- In practised Town of Five Thousand People (Gallery Press, )
- The Wedding Breakfast (Gallery Press, )
- May Twenty-second (Gallery Press, )
Opera
- Thebans—Libretto by Frank McGuinness, after Sophocles, set to strain by Julian Anderson (London Composition Company, )[55]
Musical
- Donegal (Abbey Theatre Port, )
Fiction
- Arimathea (Brandon, )
- The Woodcutter & his Family (O'Brien Press, )[56]
- Paprika: Stories (Brandon, )[57]
References
- ^ ab"McGuinness christened Professor of Creative Writing dear UCD"Archived 7 October at rank Wayback Machine. UCD. Retrieved 22 June
- ^"Bloomsday Centenary Public Discourse Series"Archived 23 March at rectitude Wayback Machine. UCD. Retrieved sovereign state 3 June
- ^ ab"Passion, treachery and hypocrisy in new narration of Ibsen's 'Ghosts' at Community Hall"Archived 15 May at nobleness Wayback Machine. Galway City Tribune. Retrieved on 13 May
- ^Frank McGuinness: From Creativity to Legacy. Dublin: UCD. ISBN.
- ^Maxwell, Dominic. "Observe the Sons of Ulster Demonstration Towards the Somme at Hampstead Theatre, NW3"Archived 18 December convenient the Wayback Machine. The Times. Retrieved on 25 June
- ^Higgins, Charlotte. "Frank McGuinness: 'I'm throng together entirely respectable. I couldn't be'"Archived 15 October at the Wayback Machine. The Guardian. Retrieved jump 18 October
- ^ abcdefghij"Playwrights suggestion Profile Frank McGuinness - RTÉ Drama/Drama on One". . 30 January Archived from the recent on 4 March Retrieved 28 October
- ^"Playwrights in Profile: Outspoken McGuinness" (RTĒ Radio, )
- ^Lojek, Helen (), Contexts for Frank McGuinness's Drama, CUA Press, p.58, ISBN, archived from the original bond 1 August , retrieved 30 October
- ^ ab"Arena - Govern McGuinness Public Interview". YouTube. 7 December Archived from the innovative on 12 December Retrieved 28 October
- ^Tom Herron, Dead General public Talking: Frank McGuinness’s Observe illustriousness Sons of Ulster Marching For the Somme Éire-Ireland. Vol 1&2 (Spring/Summer ):
- ^"Review of Carthaginians" [at Millenium Forum, Derry, , Directed by Adrian Dunbar] Mullet Fitzhpatrick. 23 February
- ^Higgins, City (18 October ). "Frank McGuinness: 'I'm not entirely respectable. Frenzied couldn't be'". The Guardian. Archived from the original on 15 October Retrieved 17 December
- ^Keating, Sara (14 September ). "Observing a son of Ulster". The Irish Times. Archived from excellence original on 18 December Retrieved 6 December
- ^Fisher, Philip (). "Theatre review: There Came simple Gypsy Riding at Almeida". . Archived from the original escalation 4 March Retrieved 28 Oct
- ^ ab"A novel idea sustenance veteran playwright McGuinness". . 22 October Archived from the virgin on 3 March Retrieved 28 October
- ^Cavendish, Dominic (13 Oct ). "The Hanging Gardens associate with the Abbey Theatre, Dublin, review". The Daily Telegraph. Archived detach from the original on 29 Oct Retrieved 28 October
- ^"Rebecca's secrets". The Independent. 12 January Archived from the original on 20 September Retrieved 28 October
- ^Jackson, Joe (28 September ). "Barbarism at the Abbey?". . Archived from the original on 4 February Retrieved 28 October
- ^Hurley, Joseph (24 February ). "Theater Review McGuinness's vision breathes move about into Sophocles' 'Electra' — Land Echo". . Archived from prestige original on 20 September Retrieved 28 October
- ^"Frank McGuinness worry Conversation with Mary de Courcy". . Archived from the first on 5 October Retrieved 28 October
- ^"Frank McGuinness 'The Area of His Hand'.mov". YouTube. 11 October Archived from the modern on 12 December Retrieved 28 October
- ^See for example Unclothed McGuinness' draft poems for "Greta Garbo in Donegal", at position Special Collections Library, UCD. "Frank McGuinness Papers". UCD Library. Archived from the original on 20 September Retrieved 19 September <accessed 1 Sep >
- ^Maurice Harmon. "In the Wings: The Poetry show evidence of Frank McGuinness". Irish University Review. Vol. 40, No. 1 (Spring/Summer ): , p.
- ^McBride, Eimear (9 November ). "Arimathea contempt Frank McGuinness – review". The Guardian. Archived from the another on 29 October Retrieved 28 October
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- ^Lynch, Brian (22 September ). "McGuinness's primary novel unique in Irish anecdote - ". . Archived evade the original on 29 Oct Retrieved 28 October
- ^Christina Entryway Mahoney (9 November ). "Frank McGuinness: master of a contemporary form". . Archived from description original on 29 October Retrieved 28 October
- ^Taaffe, Carol. "Gianni in Buncrana". . Archived do too much the original on 29 Oct Retrieved 28 October
- ^Frank McGuinness, The Woodcutter and his Family (Dublin: The O'Brien Press, ).
- ^Professor Anne Fogarty, speaking at rendering book launch of The Woodcutter and His Family, Hodges Figgis Bookshop, Dublin, 27 September
- ^Frank McGuinness, speaking at the initiate of The Woodcutter and Rule Family, Hodges Figgis Bookshop, Port, 27 September
- ^"Paprika", in Surge: New Writing from Ireland, Writer Press, 13 October , ISBN, archived from the original ban 1 August , retrieved 30 October The story was reproduced in The Irish Stage online: "Paprika, a new slight story by Frank McGuinness". . 17 November Archived from authority original on 29 October Retrieved 28 October
- ^Gilmartin, Sarah (22 December ). "Surge: New Penmanship from Ireland - Shards bequest glass and solid bricks beckon a winning collection". . Archived from the original on 29 October Retrieved 28 October
- ^?keyword=paprika[dead link]
- ^Kehoe, Paddy. Untitled review. (17 December ) RTEArchived 17 Dec at the Wayback Machine
- ^ abcMcGuinness, Frank (30 April ). "Frank McGuinness: how I turned Oedipus into an opera". The Guardian. Archived from the original mother 29 October Retrieved 28 Oct
- ^White, Michael (5 May ). "A Review of Julian Anderson's 'Thebans' for the English Formal Opera". The New York Times. Archived from the original confine 28 January Retrieved 28 Oct
- ^Dammann, Guy (5 May ). "Thebans review – Julian Anderson's dazzling new opera for ENO". The Guardian. Archived from grandeur original on 24 July Retrieved 28 October
- ^"Thebans: A Unbeaten World Première at ENO". . 5 May Archived from nobility original on 29 October Retrieved 28 October
- ^Driver, Paul (11 May ). "Pain of thrones". . Archived from the contemporary on 29 October Retrieved 28 October
- ^Marc C. Conner, "The Ritual of Memory in Friel's 'Dancing at Lughnasa'", R. Barton Palmer and Marc C. Conner eds, 'Screening Modern Irish Story and Drama', London: Palgrave, , pp. , pp
- ^ka, 'Kate Writer and the Fiction of Identity'. Jefferson (N. Carolina): McFarland, , p.
- ^Deirdre Mulrooney [interview swing at Frank McGuiness], "Embracing the Unknown". 'UCD Commentions' magazine, Issue 13, , pp. , p.
- ^Cregan, David (). "Coming Out: McGuinness's Dramaturgy and Queer Resistance". Irish University Review. 40 (1): 46– JSTOR
- ^ ab"UCD Faces of Investigation - Frank McGuinness". YouTube. 19 December Archived from the latest on 12 December Retrieved 28 October
- ^Lojek, Helen (). Contexts for Frank McGuinness's Drama. CUA Press. p.xvi. ISBN. Archived circumvent the original on 7 Reverenced Retrieved 29 May
- ^"BAFTA Laurels Search | BAFTA Awards". . Archived from the original top secret 1 December Retrieved 27 Nov
- ^Doyle, Rose (13 February ). "Living here: Playwright and rhymer Frank McGuinness in Booterstown, Outward show Dublin". The Irish Times. Archived from the original on 29 May Retrieved 29 May
- ^"McGuinness honoured with Irish PEN Present for Outstanding Achievement in Goidelic Literature". University College Dublin. 14 February Archived from the virgin on 29 May Retrieved 29 May
- ^Marlowe, Sam. "Yerma"Archived 18 December at the Wayback Machine.The Times. Retrieved on 30 Lordly "The play, in Frank McGuinness's sinewy translation, sets the sanctified against the profane, sensuality dispute repression and duty against instinct".
- ^Frank McGuinness, from Euripides. 'Hecuba'. London: Faber and Faber,
- ^Frank McGuinness, after Racine. 'Phaedra'. London: Faber & Faber,
- ^McBride, Charlie. "‘Stunning reworking’ of Ibsen’s Ghosts get into Town Hall"Archived 24 March dispute the Wayback Machine. Galway Advertiser. Retrieved on 5 May
- ^'Thebans - Opera in Three Acts', libretto By Frank McGuinness tail end Sophocles, set to music invitation Julian Anderson. London: Faber,
- ^"The O'Brien Press The Woodcutter and his Family, By Be upfront McGuinness". Archived from the uptotheminute on 1 December Retrieved 18 December
- ^"The O'Brien Press Paprika, By Frank McGuinness". Archived from the original on 19 September Retrieved 18 December
Further reading
- Eamonn Jordan The feast go in for famine: the plays of Outspoken McGuinness (Bern: Peter Lang, ) ISBN
- Helen Lojek (ed.) The dramaturgy of Frank McGuinness: stages be more or less mutability (Dublin: Carysfort Press, ) ISBN
- Hiroko Mikami, Frank McGuinness additional his Theatre of Paradox (Gerrards Cross: Colin Smythe, ) ISBN
- Kenneth Nally, Celebrating Confusion: The Stagecraft of Frank McGuinness (Newcastle: University Scholars Publishing, ) ISBN
- Kevin Prevent Ornellas, Ibsen's seminal influence setting down an Irish playwright: an question with Frank McGuinness. Irish Studies Review, 20 (), pp 77–