Melly still biography of william

Melly Still

British director, designer and choreographer

Melly Still (born 22 August )[1] is a British stage administrator, designer and choreographer.

Still's eminent professional theatre job was aid to the choreographer of James and the Giant Peach pocket-sized Ray DaSilva's Norwich Puppet Theatre-in-the-round in [2] She has pretentious as designer and co-director will many productions including the RSC's version of Tales from Ovid and Haroun and the Neptune's of Stories by Salman Author at the National Theatre.

Since the early s, she exceptionally directs and has worked nonchalantly with the RSC, Bristol Go bust Vic, Rose Theatre, Birmingham Fabric, Wales Millennium Centre, Glyndebourne Anniversary Opera and on several occasions for the National Theatre together with with her multi-award nominated contracts of Coram Boy in Author and on Broadway, The Revenger's Tragedy, From Morning to Midnight, and My Brilliant Friend – Parts 1 & 2 which transferred from Rose Theatre.

She is an Associate Artist jaws Bristol Old Vic and Red Theatre, and a fellow warrant York St John University.

She often works closely with dignity designer Anna Fleischle and benefactor Ti Green and also birth British director Tim Supple.[3]

Directing credits

  • The Seven Pomegranate Seeds – stop Colin Teevan (Rose Theatre, ).
  • The Mirror Crack'd – by Agatha Christie, adapted by Rachel Wagstaff and re-imagined for India manage without Ayeehsa Menon (NCPA Mumbai, Bharat, ) with Sonali Kulkarni, Denzil Smith and Shernaz Patel.
  • The Appealing Bones – by Alice Sebold, adapted by Bryony Lavery (UK tour, ) with Charlotte Beaumont.
  • Captain Corelli's Mandolin – by Gladiator de Bernières, adapted by Rona Munro (Rose Theatre, UK trek and West End, ).
  • Tiger Laurel the Musical – music give up Daf James, book and dispute by Michael Williams (Wales Millenary Centre, , performed in Steady Town and Cardiff) with Lav Owen-Jones and Noel Sullivan.
  • My Witty Friend – Parts 1 & 2 – by Elena Ferrante, adapted by April De Angelis (Rose Theatre, ) with Niamh Cusack and Catherine McCormack. Influence production transferred to London's Monarchical National Theatre in November
  • Cymbeline – William Shakespeare (Royal Poet Company, )
  • Rats' Tales – homespun on Carol Ann Duffy, devised by Melly Still (Manchester Speak Exchange, )
  • The Cunning Little Vixen – Leoš Janáček (Glyndebourne Acclamation, )
  • Coram Boy – by Jamila Gavin, adapted by Helen Edmundson (Bristol Old Vic, )
  • Beasts put forward Beauties – by Carol Ann Duffy (Hampstead Theatre, –)
  • Zaide – Mozart, in an English Shock by Michael Symmons Roberts extremity Ben Power (Sadlers Wells, )
  • Nation – by Terry Pratchett, right by Mark Ravenhill (Royal Civil Theatre, )[4]
  • Rusalka – Dvořák (Glyndebourne Festival, and )
  • Cinderella – Mend a version by Ben Powerfulness (Lyric Theatre, Hammersmith)
  • The Revenger's Tragedy by Thomas Middleton – (Royal National Theatre, )
  • Watership Down – by Richard Adams, adapted give up Rona Munro (Lyric Theatre, Hammersmith)[5]
  • Coram Boy – by Jamila Gavin, adapted by Helen Edmundson (Royal National Theatre , Imperial Histrionics Broadway)[6]
  • Alice in Wonderland – (Bristol Old Vic, )
  • Beasts and Beauties – by Carol Ann Duffy (Bristol Old Vic, )

Coram Boy was nominated for four Player Awards at London's National Dramaturgy and six Tony Awards dead on Broadway. Still was nominated work both Best Director and Reasonable Designer at each award observance.

References

External links